I admit: March left me satisfied—though not without puzzlement—because it was the episode I’d been waiting for. Information dumps put me in a week-long mindspin, and yet I relish them all the same. It’s because Death Parade’s various parts all pose questions—from plot and character development to a greater scale of theme and symbolism. Rolling Ballade and Arcade, although worthwhile, offer little insight into the show’s larger concepts—and the newest episode seems to follow suit. Even so, Cross Heart Attack is everything I expected it to be. It’s not the info drop episodes two and five are—but that much I predicted, considering the show’s pattern thus far. It doesn’t look like much at a glance, and in contrast to an episode like Reverse, it really isn’t. But does that mean it’s empty? Surely not.
CHA wrenches away from Quindecim’s soothing atmosphere and replaces it with Viginti’s stiff setting. The switch feels jarring, which speaks for my comfort level and familiarity with Quindecim more than anything else. (Read: strong preference.) Juxtapose to Decim’s bar, Viginti is brighter, less ‘open’ or spacious, and emanates what I can only describe as feeling hollow. It’s too quiet for comfort, and radiates a lonesome quality. But Quindecim, too, can be described as such. Its expansive arrangement—bathed in those deep, dark hues—calls for a hushed but lively mood, yet it must be eerily quiet. (This goes to show the importance of music tracks, because I’ve sure been fooled into thinking otherwise.) Then again, it’s that ambiance of Quindecim that I find mollifying, but Viginti feels uncomfortably rigid—no doubt due to its wooden composition, which seems well-suited for Ginti’s kokeshi collection.